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Angkor Thom is undeniably an expression of the highest genius. It is, in three dimensions and on a scale worthy of an entire nation, the materialization of Buddhist cosmology, representing ideas that only great painters would dare to portray.
Angkor Thom, the last capital of the Khmer Empire, was a fortified cit enclosing residences of priest, officials of the palace and military, as well as buildings for administering the kingdom. These structures were built of wood and have perished but the remaining stone monuments testify that Angkor Thom was indeed a "Great City" as its name implies. Temples inside the walls of the city described are Bayon, Phimeanakas, Baphuon, Terrace of the Elephants, Terrace of the Leper King, Prah Palilay, Tep Pranam and Prasat Suor Prat.
Symbolically, Angkor Thom is a microcosm of the universe, divided into four parts by the main axes. The temple of the Bayon is situated at the exact center of the axes and stands as the symbolical link between heaven and earth. The wall enclosing the city of Angkor Thom represents the stonewall around the universe and the mountain ranges around Meru. The surrounding moat (now dry) symbolizes the cosmic ocean. https://www.tourismcambodia.com/attractions/angkor/angkor-thom.htm
Cambodia’s Royal Palace complex was begun by King Norodom I (ruled 1860-1904) in 1886, when the capital was moved to Phnom Penh. Most buildings were completed before World War I, with involvement by French administrators and Thai designers and architects. French influence can be seen in the formal gardens which enhance the palace, and there are some European-style buildings on the grounds. Now Royal Palace is a home to His Majesty Preah Bat Samdech Preah Sihamoni, King of Cambodia.
Royal palace has four gates. The eastern Victory Gate leads directly to the entrance of the throne hall and is used only by royalty and VIPs. The northern or funeral gate is only opened after the death of a monarch. After being embalmed, the monarch’s body is kept in state at the palace for three months, with the face hidden by a one-kilogram solid gold mask, before being taken out via this gate. The west or executing gate was used by condemned prisoners exiting the palace to be killed. The southern gate is reserved for use by commoners and it is through this gate the public reaches the Silver Pagoda.
At the top of palace’s throne hall, note the four pale, almost clown-like faces, which represent the all-seeing king. The hall itself is painted vivid yellow, a symbol of Buddhism, and white, for Hinduism, the two main faiths of Cambodia until they were combined into one by Jayavarman VII in the 12th century. The central door of the five at the front of the throne hall are reserved for royalty and VIPs. Inside, note the 1913 ceiling mural telling the story of the Ramayana. The thick carpet supplied by China in 1993 matches the lotus-bud floor tiles. http://www.yourphnompenh.com/royal-palace-and-silver-pagoda/