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On the western part of the old city walls, guarded by three bastions and gates, this square was initially a marketplace, which was going to be moved to the central square. Eventually, the marketplace was moved closer to the railroad, in the current location of Mihai Viteazul square. Thus, at the end of the 19th century and the beginning of the 20th century the walls and gates of the city were demolished, and a small park was arranged in this square.
Later, new buildings were erected here, such as the National Theater, the Orthodox Cathedral, the building of the Chamber of Commerce and Industry, in the Art Nouveau style (today, the office of the Cluj Prefecture); the building of the old “Unió” Masonic Lodge (no. 7 Avram Iancu Sq.); the building of the old military garrison (today, the building of the County School Inspectorate, also known in the oral tradition of the city as the “red building”, a name earned by the red brick walls of the building); the Palace of Justice, where the Court of Appeal and the Tribunal are housed; the EMKE Palace (Hungarian Cultural Association of Transylvania), later purchased by MÁV (Magyar Államvasútak, Hungarian State Railroads), currently the headquarters of the CFR Regional Office; the building of the Archbishopric of Vad, Feleac and Cluj, which houses the Faculty of Orthodox Theology and the building of the Protestant Theology, on the old site of the Reformed Church’s Prayer House. http://www.visitclujnapoca.ro/en/atractii-turistice/monumente-si-complexe-arhitectonice/avram-iancu-square.html
The Riva started to look the way it does today two centuries ago, when the French, in time of Napoleon ruled these parts through Marshal Marmont. Today this promenade is the cities living room, the most popular and most important public place in Split. In the meantime, it has been widened and reconstructed several times, but it was always blessed with the most spectacular setting, the south facade of the Diocletian Palace, with the entrance into the Substructures, and later on with the buildings that were built west of the Palace, also the Franciscan monastery with the church of St. Francis, and the Bajamonti Dešković Palace and last but not least the Port Authorities building on the east end.
Riva today is pedestrian heaven, thrusting with Cafés and restaurants, an ideal place for having your morning or afternoon coffee, or for an evening out with friends over drinks. Riva is the stage of the city life of Split, a venue for numerous cultural and entertainment events, boisterous Split carnival, as well as the stage for meeting Split sportsmen after countless successes, such as Goran Ivanišević, Hajduk football club players and Jugoplastika basketball players, Olimpic medal winners... Riva is also a political forum, with decades of political opportunities being depicted through mass rallies. Naturally, Riva is always at its best in time of Sudamja, a celebration dedicated to St. Domnius, the patron saint of Split. https://visitsplit.com/en/512/the-riva
For more than 400 years, Hellbrunn Palace has enchanted and amazed its visitors with its trick fountains. A unique experience with all kinds of surprises in store!
The idyllic location in the south of Salzburg was ideal in many regards: Hellbrunn Mountain is a naturally abundant source of water, which inevitably became a central design feature of the palace grounds. The centerpiece is provided by Mannerist trick fountains that are absolutely unique. From a mechanical theater to water-spewing stags, to a crown dancing atop a spout of water - the many-and-varied hydraulic attractions never fail to captivate visitors with their originality and astonishing effects.
The spacious parks and gardens of Hellbrunn Palace are partially landscaped, partially natural biotope. They are a marvelous place to unwind, take a walk and enjoy a bit of outdoor sport. Children will immediately be drawn to the big adventure playground. And in winter, too, Hellbrunn is always well worth a visit: During the run-up to Christmas, the palace courtyard and the old driveway are transformed into a festive Advent market. https://www.salzburg.info/en/sights/top10/hellbrunn-palace-trick-fountains
The dragon depicted on the fountain is the symbol of the city. There is a lovely square around it where you can sit and relax.
In the 13th century a dragon was wreaking havoc in Klagenfurt, causing floods that destroyed crossings and threatened travelers along the River Glen. A duke offered a reward for anyone who could capture it, and a brave young man tied a bull to a chain and caught the dragon like a fish.
In 1335 the dragon’s skull was found in a nearby quarry aptly known as Dragon’s Grave. The capital city of Carinthia proudly displayed it in the city’s town hall, and in 1590 Ulrich Vogelsang used it to make what is often cited as the earliest known reconstruction of an extinct animal—it’s attributed to Vogelsang, but it’s more likely an anonymous artist made the sculpture, carved from a single block of chlorite slate. Legend claims 300 men, dressed in all white, carried the six-ton beast to the center of town. https://www.atlasobscura.com/places/lindwurmbrunnen
You’ve probably seen images of Singapore’s national icon, the mythical Merlion with the head of a lion and the body of a fish.
The Merlion's body symbolises Singapore's humble beginnings as a fishing village when it was called Temasek, which comes from the same root as the word tasek ('lake' in Malay).
Its head represents Singapore’s original name, Singapura, or ‘lion city’ in Malay. Today, you can glimpse this legend at Merlion Park. Spouting water from its mouth, the Merlion statue stands tall at 8.6 metres and weighs 70 tonnes.
This icon is a must-see for tourists visiting Singapore, similar to other significant landmarks around the world. http://www.visitsingapore.com/see-do-singapore/recreation-leisure/viewpoints/merlion-park/
Preserved and in full activity, Rio D'Ouro Reservoir, built in 1880, is an architectural jewel of Nova Iguaçu, located on a natural site covered by the Atlantic Rainforest. From its pavilion, there is a footbridge that crosses the reservoir and leads to a fountain made of cast iron designed by the French sculptor Albert-Ernest Carrier Belleuse. He was the designer of the torches of the staircase at the Paris Opera Theater as well as the professor of the acclaimed sculptor, Auguste Rodin.
Nymphs, carved in the foundries of Val D'Osne in France, guard the fountain adorned by twigs and the Brazilian coat of arms. With a sophisticated hydraulic engineering for the time of its implementation, Rio D'Ouro Reservoir is listed by INEPAC (State Institute of Cultural Heritage). http://mapadecultura.rj.gov.br/headline/rio-douro-reservoir#prettyPhoto
The Trevi fountain, inspired by Roman triumphal arches, is the largest and most famous Baroque fountain in Rome (standing 25.9 meters high and 19.8 meters wide).
In 1629, Pope Urban VIII, asked Bernini to sketch possible renovations of the fountain, finding it insufficiently theatrical. After the Pope's death the project was abandoned. Bernini's lasting contribution was to situate the fountain from the other side of the square to face the Quirinal Palace (so that the Pope could see and enjoy it).
The Trevi Fountain as we know it today, was designed by Nicola Salvi in 1732 and competed in 1762.
The central figures of the fountain are Neptun (God of the sea), flanked by two Tritons. One struggles to master a very unruly "seahorse", the other lead a far more docile animal. These symbolize the two contrasting moods of the sea.
Appropriately for a fountain resembling a stage set, the theatrical Trevi Fountain has been the star of many films shot in Rome, including romantic films such as "Three coins in a fountain" and "Roman holiday", but also "La dolce vita", Federico Fellini's satirical portrait of Rome in the 1950s. http://www.rome.info/sights/trevi-fountain/