The Caliph Abd al-Rahman III was a great promoter of culture and a skilful politician who transformed his dominions into the most prosperous lands in the West at the time, comparable only with Baghdad and Byzantium. The city of Medina Azahara has a practically rectangular floor plan. It was built on raked terraces which made use of the slope of the mountainside. Each terrace was separated from the others by walls, which divided the city into three parts. The Alcázar Real palace is located on the highest and intermediate levels, while the lower part stood outside the walls and was used for dwellings and the mosque. There are still remnants of tiled borders, paintings and columns in the composite and Corinthian styles. Visitors should not miss a visit to the two recently restored rooms. It was declared a National Monument in 1923. To conclude the visit, the archaeological site also has a visitor centre which serves as a starting point for the tour. The centre is located underground in the style of an archaeological site, and features a collection of exhibits from the most important periods in the history of Medina Azahara. The tour of the visitor centre lasts about one hour and includes audiovisual shows, and continues with a visit to the archaeological site (which can be reached by bus from the same building). https://www.spain.info/en/que-quieres/arte/monumentos/cordoba/medina_azahara.html

There is no record of the date of the project or the name of the architect author. The only data found in the municipal archives and collected by the historian Emilio Villanueva (“Urbanism and Architecture in Modern Almería”) are proof that the new Apollo Theatre was built in 1881 on the site that had previously occupied the Teatro Calderón. At a time abounding recreational societies was one of them, the Society of Twenty, who promoted its construction becoming the first owner of the theatre. In January 1984, the Directorate General of Architecture and Housing, Ministry of Public Works, Transport and Environment, commissioned the architect Angel Jaramillo Esteban, performing some previous studies for the rehabilitation of the building, and then in 1985 the corresponding project.The works managed by the Hon. Almería City Council, beginning in 1987 under the direction of the same architect and then for various reasons remain stalled between 1989 and 1992, were completed in 1993, having taken part in financing the ministries of Public Works, Transport and Environment and Culture and the Departments of Public Works and Transport and Culture and the Environment of the Junta de Andalucía https://www.turismodealmeria.org/en/motivo-tematico/apollo-theater-2/

Belle Epoque in design yet highly modern in spirit. That’s how we could describe the Victoria Eugenia Theatre, a building that celebrated its 100th anniversary in 2012. Located in the city centre, in full view of the Kursaal and on the banks of the River Urumea, the Victoria Eugenia Theatre proposes a varied and continually changing programme. This sandstone building sporting plateresque motifs with Spanish Renaissance forms was created by the architect Francisco de Urcola in 1912. Particularly interesting on the facade are, over the Doric columns, four groups of sculptures representing the opera, tragedy, comedy and drama. For decades the Victoria Eugenia Theatre has been the principal hub of the International Film Festival; since its renovation in 2007, the building now offers new cutting edge spaces and audiovisual technologies. https://www.sansebastianturismo.com/en/to-do/culture-art-architecture/belle-epoque#ayuntamiento

Tradition and modernity are brought together in one of the most special areas of the city. Stroll through the fishing port and lose yourself in the streets of the Historical Quarter where the smell of pintxos emanates from every corner. Cross the Boulevard and leap through time to land in the centre of Donostia, and visit its pedestrian streets and spend a few hours shopping in its lovely shops and boutiques. https://www.sansebastianturismo.com/en/to-do/district-by-district/centre-old-town

In 1264 the troops of Alfonso X conquer Jerez definitively to the Muslims. At that time, the monarch gave the Dominicans a military building of Islamic origin located in front of the door of Seville, to found their convent there. The first century of existence of the monastery of Santo Domingo had to be very hard, since the attacks by the Nasrid Kingdom of Granada and its North African allies were constant. The convent of Santo Domingo remained a united group until 1835, when the different confiscations of the liberal governments of Isabel's reign decreed the exclaustration and seizure of the assets of the convent. Although the church remained open to worship, the cloisters were sold. In the beginning, the owners were Los González, an important family of winemakers from Santander Mountain, who installed here the so-called Museum of Santo Domingo, a kind of trinket in which works of art, furniture and other decorative objects were sold. Then the complex became the property of the Díez family, who installed a cellar in the old bedroom and made a series of somewhat aggressive works with the monument. Los Dietros sold Los Claustros to the Rumasa holding company, which was expropriated in 1983, becoming the property of the City Council, which used it as cultural equipment for years. In 1999 the complex was closed for restoration, reopening its doors in 2012. http://www.turismojerez.com/index.php/en/what-to-visit-in-jerez/culture-3/jerez-monumental-secular-monuments/item/1455-los-claustros-de-santo-domingo?catid=102

This portico lined square is situated at the heart of Hapsburg Madrid, the old part of the city and one of the capital’s most charming districts. Before Madrid became a capital city, with its wide avenues and boulevards, its footprint consisted of narrow streets, alleys and passageways, which today take us back to the times of swashbuckling swordsmen and medieval rogues. The foundations of Plaza Mayor were laid, when Philip II's court moved to Madrid, on the site of the former Plaza del Arrabal, where the town's most popular market was located towards the end of the 15th century. In 1617, architect Juan Gómez de Mora was commissioned to create a greater uniformity amongst the buildings in this location, which for centuries had hosted popular entertainments, bullfights, beatifications, coronations and the occasional auto de fe. https://www.esmadrid.com/en/tourist-information/plaza-mayor-madrid

Park Guell is one of the most fantastic designs ever built by Gaudi. A landmark on its own, it features amazing views of Barcelona and plenty of modernist works. Needless to say, as soon you pass the entrance, you’ll notice right away that this isn’t an ordinary park. Curiously, Park Güell wasn’t originally intended to be a park, but rather a project for luxurious homes. In 1900, the site was just a rocky hill with nothing but vegetation around, in the vicinity of some isolated upper class country houses. The result was one of the most fascinating works by Gaudí. The intention of the project was to take advantage of the breathtaking views of Barcelona and the clean fresh air, away from the factories, in order to build a top of the line housing complex. In Park Guell, there are plenty of paths and vegetation to enjoy, but the architectural structures are the glue that holds the whole place together. https://barcelonando.com/parc-guell

The Alcazaba, with its 1430 m. walled perimeter is Spain’s second-largest Muslim construction, after the Alhambra Palace in Granada. It was built at the behest of Abderrahman III in the tenth century after the founding of the city. It is a stronghold which housed three campuses; the first two Muslims and one Christian, last built after the conquest of the city by the Catholic Monarchs, which occurred in 1489. The fortress is situated on a hill, overlooking the old centre of the city, the medina. In it, we find a first enclosure where there is a large garden and ponds constructed during the Muslim period. The second area, the vast palatial residence of King Almotacín, stood during the eleventh century. This consisted of a public area, where today are the caliphate wells of the tenth century, a Christian arch of the 16th century. Finally, is the last enclosure of the fortress, Christian, and ordered to be built by the Catholic Monarchs, after the taking of the city. It is a Christian castle within the Muslim fortification. https://www.turismodealmeria.org/en/motivo-tematico/the-alcazaba-fortress/

Is a Neoclassic-converted building in the town centre. Built in 1731 and restored in 1982. The building blends into the portico space of the Plaza de España. Designed by the architect Justo A. de Olaguibel. http://www.spain.info/en_IN/que-quieres/arte/monumentos/alava/casa_consistorial_de_vitoria-gasteiz.html

The O Castro site is Vigo’s archaeological site par excellence: this was the origin of what is now the largest city in Galicia, between the second century BC and the third century AD. When you step on the stones of this museum site, the O Castro de Vigo. A Orixe da cidade, you’ll discover where the first inhabitants of Vigo lived. The Castro is a 1 mile² archaeological site that includes the reconstruction of three castreño buildings pertaining to one of the largest and most evolved towns in Galicia. This small part of the Vigo oppidum shows us how people lived in castros 2,000 years ago. http://www.turismodevigo.org/en/o-castro-site

Peñafiel castle is built of Campaspero stone and is an example of the German Gothic style. It is 210 metres long by 33 metres wide.The castle is located on a hill overlooking the valleys of Duratón and Botijas. Its exterior is uniform in appearance, and it has a single door. http://www.spain.info/en_IN/que-quieres/arte/monumentos/valladolid/castillo_de_penafiel.html

This building was the royal residence of the Christian monarchs and subsequently the site of the Courts of the Holy Offices, a civil prison, and finally a military prison. It is set among magnificent gardens, including the garden known as the Avenue of the Monarchs which features statues of all the monarchs who had connections with the palace-fortress. It was declared a Historical Monument in 1931. The building is also part of the area declared a World Heritage site by UNESCO in 1994. Since 1986, its gardens have been protected by town planning laws. It stands on top of the remains of the former caliph's palace. http://www.spain.info/en_IN/que-quieres/arte/monumentos/cordoba/alcazar_de_los_reyes_cristianos.html

Atapuerca is one of Europe's most important archaeological sites. It was designated a World Heritage Site by UNESCO in 2000, and a Site of Outstanding Universal Value, also by UNESCO, in 2015. http://www.spain.info/en_IN/que-quieres/arte/monumentos/burgos/yacimiento_de_atapuerca.html

Designed by Canadian American architect Frank Gehry, the Guggenheim Museum Bilbao building represents a magnificent example of the most groundbreaking 20th-century architecture. With 24,000 m2, of which 9.000 are dedicated to exhibition space, the Museum represents an architectural landmark of audacious configuration and innovating design, providing a seductive backdrop for the art exhibited in it. Altogether, Gehry’s design creates a spectacular sculpture-like structure, perfectly integrated within Bilbao’s urban pattern and its surrounding area. https://www.guggenheim-bilbao.eus/en/the-building

This one was demolished to give a much cleaner view to the facade of the Cathedral. Currently the Episcopal Palace occupies a place close to what used to be the Palacio del Alcázar. https://www.murciaturistica.es/en/monument?ficha=329

16th - 18th centuries. The Bishop's Palace is a series of buildings that were joined while being built until the large block was completed in the 18th century that took up the whole of the block. It features the impressive Baroque façade facing the Plaza del Obispo. http://www.malagaturismo.com/en/tourist-resources/detail/episcopal-palace/445

The Salvador is a religious temple for Roman Catholic worship under the patronage of Our Lord San Salvador, located in the Plaza del Salvador in Seville and is the largest church in the city, after the Cathedral. Deprived of its parish ranking after the latest restoration work, it currently functions as an exempt church, within the parish jurisdiction of San Isidro. https://www.visitasevilla.es/en/church-of-the-divine-salvador

The park covers a surface area of 17 hectares and gives Nou Barris a pleasant, modern appearance in keeping with the residential area where it is located. It blends in perfectly with the site and its undulating landform has a lot of surprises in store. http://www.barcelonaturisme.com/wv3/en/page/524/parc-central-de-nou-barris.html