The archaeological dig carried out in several batches between 1976 and 1999, allowed for the building’s constructive stages to be rediscovered. The digs involved an area which used to be part of a large extra-urban necropolis, where, at the beginning of the 5th century, there was an early-Christian complex which also included the cruciform church of S. Lorenzo. At the centre of the south nave, the basement of a funeral building was found, it may be dated to some time between the 4th and 5th centuries A.D.; the primitive church, which was erected to the north of this mausoleum, consisted of a simple apsidal hall surrounded by a portico destined for use as privileged burial grounds. In the 9th century, the church was completely rebuilt and enlarged, moving the general axis of the building southwards, the eastern extremity has three apses, while the facade was rebuilt to the west of the early-Christian one. In the year 989, a bell tower was added to the facade, the remains of which are still visible up to a height of approximately 15 m. The archeological dig of the choir of the church of S. Orso allowed for a square-shaped floor mosaic to be brought back to the surface, it was unknown and not mentioned by the sources, it was made with black and white tiles with some inserts of light brown coloured tiles. A series of six circles inscribed in the square, acts as a frame for the central decorations. In the central medallion there is an elegant representation of Samson killing the lion. http://www.lovevda.it/en/database/8/churches-and-sanctuaries/aosta/collegiate-church-and-cloister-of-sant-orso/720

The devotion towards the patron martyr is expressed in the participation of the faithful in the period preceding the festivities, with the development of the novena at the Basilica dedicated to the Saint, and with the expectation of the same throughout the year. https://www.comitatosansimplicio.org/

Bishop Rolando, who supported Innocent II during the schism of Anacletus, obtained authorisation to transfer the seat of the See of Rosellana to Grosseto from Innocent II on 9 April 1138. During the 12 C, the parish church of Santa Maria Assunta was the cathedral of Grosseto. It was located more or less in the position the apse of the current cathedral which was finished in 1294, as shown by two dated stone in the façade and inside of the church, one dated 1294 and the other 1295. The present Cathedral of Grosseto is dedicated to San Lorenzo and was built under the supervision of the Siennese Sozzo da Rustichino. The belfry tower was added in 1402 during a period of Siennese domination. (It was restored and modified in 1911.) The façade has lost its original appearance, having been completely rebuilt between 1816 and 1855, but some evidence of the original cathedral has been preserved, notably the symbols of the Evangelists. Between 1859 and 1865, another major restoration gave to the inside of the cathedral a "neo-gothic" appearance that it did not have previously. The major art works are a Baptism Font and the altar of the Madonna of the Graces, both the work of Antonio di Paolo Ghini from between 1470 and 1474, the marvelous Madonna of the Graces by Matteo di Giovanni, also from 1470, and the right side of the cathedral which is in the Siennese style. http://www.grosseto-info.com/the_cathedral_of_grosseto.htm#.Wko_cFT1XLY

The construction of the apse in the Cathedral of Vicenza had begun in 1482 to the design of Lorenzo da Bologna, but in 1531 it was still unfinished. Early, temporary, roofing was erected in 1540, as a result of the possibility that Vicenza might host the Church Council which in the end was held at Trent. http://www.officeoftourism.org/europe/italy/Veneto/vicenza.asp

Cattedrale di San Matteo—the cathedral of Salerno—houses ancient Greek columns, Roman sarcophagi, medieval pulpits, and the body of St. Matthew the Evangelist Although World War II bombs devastated most of medieval Salerno, the Duomo's lovely 11th-century atrium courtyard was spared. It contains 28 antique columns pilfered from the ancient Greek ruins of Paestum. Behind them are Roman sarcophagi recycled in the Middle Ages as the tombs for local grandees. The cathedral was founded in 1081 by Hauteville Norman adventurer Robert Guiscard who by then had conquered his way to becoming Duke of Apulia and Calabria (which, at the time, covered pretty much all of southern Italy; the neighbouring Dutchy of Naples was confined just the sliver of land around the Bay of Naples itself). Robert was, for good measure, also Duke of Sicily. An earthquake in 1688 caused most of the cathedral to be rebuilt along baroque lines, though from the older church remain a fabulous pair of inlaid ambones (pulpits) similar to those at Ravello. Proof that the city of Salerno was once a much bigger deal than it is today: The cathedral crypt, lavishly decorated with precious marbles in the 17th century (and restructured in the 1960s), houses the bones of St. Matthew the Evangelist. http://www.reidsitaly.com/places/salerno/see/the-duomo-of-salerno/